What do all the following experiences have in common?
A leap in front of the bright yellow ginkgo tree that punctuates the front of the High Museum of Art and partially hides the Rodin* gifted to it after 106 museum leaders and patrons died in an airplane crash departing from an art tour of Paris the year before I was born (not to be confused with the Rodin exhibit inside the museum right now);
Two public pianos free for the fingers;
And another leap, this time off a swing at the only playground in the United States by playscape designer and sculptor Isamu Noguchi, built when I was 13 and now preserved and protected.
It’s public play, folks. That ability to exist in public space, and to have fun doing so.
MY MASTER’S THESIS QUESTION, WHICH I CONTINUE TO ASK, IS: WHO GETS TO EXIST IN PUBLIC SPACE?; WHEN, WHERE WHY AND HOW?; AND WHO GETS TO DECIDE THAT?
Writer, street photographer, urban farmer, and League Cycling Instructor (#5382), learning as I grow and traveling at the speed of bike. Peace Corps Uganda invitee (June 2020, delayed due to COVID-19). CDC Foundation Communications Specialist working with State of Alaska Dept. of Health on Healthy You in 2022 project. Mensa member. Metro Atlanta Bicycle Mayor. See books on Amazon in all global markets (USA link: https://www.amazon.com/Pattie-Baker/e/B005JBN7ZK).
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